How to configure audio equipment

　　There are certain rules to follow in the combination of audio equipment configuration, which is not simple. It often happens that the sound quality of high-end audio equipment is not satisfactory after the combination with a lot of money. Different brands of audio equipment have different sound personalities, and the equipment of the same brand also has different sounds because of different grades. It is not difficult to know how to match the equipment, but if you want to form a set within the specified price range that meets your own appreciation requirements in terms of sound, It is not easy for audio equipment that has more room for improvement in the future.

　　In general, the following should be considered when configuring audio equipment:

　　① Practicability. Do not blindly pursue high-grade audio equipment. Do not break away from the limitations of the actual listening environment and economic affordability. The highest level of combination is to combine sound quality that meets personal interests according to the actual premise.

　　② Balanced, signal source, amplifier and speaker departments should be basically consistent and coordinated in the overall technical and functional level, so that the overall quality is higher.

　　③ Complementary. From the perspective of sound quality evaluation, the sound equipment combination should follow the principle of "cold and warm complementation" and "fast and slow matching", but this is not half and half to neutralize each other, so as to avoid losing individuality.

　　How to match a set of audio equipment that suits your listening sense? Here's what the Jazz Dragon sound manufacturer will tell you: you should make clear your listening intention, which type of sound you prefer, soft, sweet, soft and beautiful, or strong and bright rhythm. At the same time, you should also make clear which type of music the sound system usually plays, whether it is pop songs, soft jazz or classical symphony music. Only in this way can you make a targeted choice, and build a sound system that can meet your requirements in terms of sound.

　　Second, the selection and matching of audio equipment should be based on a certain understanding of the characteristics of the equipment (including the price, technical characteristics, sound characteristics, manufacturers, media and experienced BBQ friends' comments, etc.), rather than on rumors or Wang Po's advertising. If this can't be done, the selection will inevitably be blind or even be misled into purchasing the wrong equipment.

　　The third point is to consider the influence of listening environment. The environment has a considerable impact on the performance of audio equipment, so it is necessary to consider this aspect when selecting equipment. For example, the size of the listening room determines the size of the speakers, and the wall reflection of the listening room also plays a great role in the timbre. The improvement of the listening environment will have a multiplier effect on the progress of sound effects and the smooth collocation of equipment.

　　The fourth point is that you should purchase in the audition. The audition includes single piece equipment and complete set of equipment. When listening to a single piece of equipment, you should select a set of equipment combination with better quality as a reference. If you want to listen to the selected amplifier, you can use the same software. After listening to the reference combination, you can change the amplifier you want to buy to listen to it and compare the two amplifiers to understand their respective characteristics, and select the one that satisfies you most. The same method should be adopted for auditioning other equipment, and then the equipment that you initially meet should be combined for audition. If you are not satisfied with the overall sound effect at that time, you can replace one of the equipment until the overall sound effect is met. In fact, the process of equipment audition is the process of equipment matching.

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