Solving the Stage Return to System Frequently Problems.Bar performance sound wholesaler

　　Many people may encounter such problems in actual work. When performing with bands, the musicians say that the return is not large enough or unable to hear it, and the controller is required to increase his listening volume. Sometimes after increasing the volume of the return, musicians still ask for requests. The volume of listening is large, and the possibility of the microphone scream is also high, and it will enter a vicious circle. Sometimes when it is not handled well, it is often easy to cause disputes between musicians and audio controllers.

　　In fact, the return system was originally a audio system for actors to serve actors, so that musicians can monitor their performance or singing effects and adjust them in time. Therefore, whether the monitoring system can truly express the performance of musicians is a very important aspect.

　　In most cases, the stage listening system is connected to a balancer from an AUX output of the mixer and then to the speaker to the speaker. However, I find that many people are often one -sided by the treatment of the stage. At this time, the balancer often only focuses on handling the microphone scream. Under this usage, the sound of the return speaker is often defective. The restoration of the sound of musical instruments is greatly reduced. The sound heard by the staff on the stage is not the sound effect he imagined, and it feels wrong, but they often do not understand the restoration of the audio, so they think they are not enough, so they are required to increase the volume. At this time, you just increase the volume, and the musicians will complain that they can't hear clearly. The root cause is that the restore is not good, and the sound of returning listening is not clear enough. This is like a person who speaks unclearly. When you whisper, you can't hear what he says. If he speaks loudly, you can't even hear it.

　　Therefore, to solve this problem, first of all, it is necessary to provide a stage return system with a better restore. If the restore is good, the sharpness will go up. Effect. To improve the system reduction, targeted compensation should be made for the use of the balancer of the system of the system. When the system restores are high, the expression is clear, and there is no need to be shocking, and the possibility of the microphone scream will be greatly reduced.

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